ADR Taker 2.0 introduces a major update of Nuendo’s ADR system with enhancements for voice and foley recording such as new playback / recording modes, automatic naming schemes and pre-recording buffers.
Infoline events have been made larger allowing you to read easily on high resolution screens. Media Bay has been completely refurbished and become clearer to understand and use. It has a darker, more visible look, especially for longer sessions. Nuendo saw some new features and it had an overhauled interface by changing its appearance. Although it had a brief competition with Cubase in the early days and Nuendo is struggling to create its own identity but now it has is considered a very important post-production tool, especially after the release of version 3 Nuendo has been a leading card production tool for Steinberg since the 90s. This will trigger all the engines in the plugin (if none are muted or soloed) and route the audio to the individual audio tracks you have setup, and record the output to the timeline.Steinberg Nuendo 4 is a professional workstation and sound system for post production, with all the tools for arranging and recording music. Fire Weaponiser’s main ‘Fire’ button from the UI, or trigger a midi note at C4. Do this for all tracks/engines.Īrm all four audio tracks. Under the inputs section, swap ‘Stereo Out’ to the appropriate engine, so that the name of the engine output matches the name of the bus. This will route the outputs of the Weaponiser plugin to the buses in Nuendo.
Set the ‘OnsetOutputL’ source channel to ‘Onset’, by clicking on the panel on the right, and then do this for all the channels. Open the Channel Settings for the main Weaponiser track and click to the next source. Under ‘Devices’ in the top panel, choose ‘VST Connections’.Īdd four new output buses, and rename these to match the Weaponiser engines (Onset, Body, Thump, Tail). Onset, Body, Thump, Tail).Ĭlick to expand the output options for Weaponiser, and enable ‘All Outputs’. Onset, Body, Thump, Tail).Ĭreate four new stereo audio tracks, and rename then to receive the audio from each engine (e.g. Create four new audio tracks, and rename then to receive the audio from each engine (e.g.
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